Margaret of Austria (1480--1530) ruled the Burgundian Netherlands for over twenty years and was an integral member of the joint Houses of Burgundy and Habsburg. She was also one of the most prolific patrons and collectors of her time. This dissertation examines Margaret's patronage in relation to her contemporary environment with the aim of extending and deepening our understanding of her commissions within the dynamics and discourses of the culture of the early sixteenth century.Margaret of Austria was a highly conscientious patron and the art and architecture she commissioned intimately reflected her life. Chapter one introduces the historical facts of Margaret's life as well as issues affecting her patronage. Chapter two considers the mo...
Started in the year of the 900th anniversary of Matilda of Canossa’s death, the author noticed the a...
This dissertation explores how alabaster funerary sculptures and tapestries created complex and mult...
With a corpus of one hundred and twenty-seven illuminations, from eighty-one manuscripts painted in ...
The church and monastery of Brou, Bourg-en-Bresse were built under the attentive patronage of Margar...
textThis dissertation examines the patronage of Marie de Brabant, queen of France (1260-1322), and h...
This study examines the sixteenth century chansonnier, Brussels 228, which was compiled for Margaret...
The definition of what constitutes patronage and what makes one a patron, such as the person who fun...
This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the p...
The subject of my research is the female consort and her court. I focus on three Austrian Archduches...
This dissertation explores the reigns of two early sixteenth-century queens consort of England and S...
Margaret of York, princess of England and duchess of Burgundy (1446-1503), is the central figure in...
This paper provides a partial analysis of one of the most prolific patrons and collectors of Renaiss...
Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most signifi...
The “Fecamp Psalter” is an illuminated manuscript created in the Norman abbey of the same name, arou...
María Anna of Austria was the daughter of Emperor Fernando III and the Infanta María. She married he...
Started in the year of the 900th anniversary of Matilda of Canossa’s death, the author noticed the a...
This dissertation explores how alabaster funerary sculptures and tapestries created complex and mult...
With a corpus of one hundred and twenty-seven illuminations, from eighty-one manuscripts painted in ...
The church and monastery of Brou, Bourg-en-Bresse were built under the attentive patronage of Margar...
textThis dissertation examines the patronage of Marie de Brabant, queen of France (1260-1322), and h...
This study examines the sixteenth century chansonnier, Brussels 228, which was compiled for Margaret...
The definition of what constitutes patronage and what makes one a patron, such as the person who fun...
This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the p...
The subject of my research is the female consort and her court. I focus on three Austrian Archduches...
This dissertation explores the reigns of two early sixteenth-century queens consort of England and S...
Margaret of York, princess of England and duchess of Burgundy (1446-1503), is the central figure in...
This paper provides a partial analysis of one of the most prolific patrons and collectors of Renaiss...
Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most signifi...
The “Fecamp Psalter” is an illuminated manuscript created in the Norman abbey of the same name, arou...
María Anna of Austria was the daughter of Emperor Fernando III and the Infanta María. She married he...
Started in the year of the 900th anniversary of Matilda of Canossa’s death, the author noticed the a...
This dissertation explores how alabaster funerary sculptures and tapestries created complex and mult...
With a corpus of one hundred and twenty-seven illuminations, from eighty-one manuscripts painted in ...